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Lonnie Mack never seemed to really get his due overshadowed by more mainstream blues guitar legends (the King’s, Eric Clapton) and later people like Buddy Guy and Stevie Ray Vaughan in the great blues rebound of the 1980’s and 90’s…Stevie Ray Vaughan indeed brought attention back to Mack citing the influence of Wham! on Stevie’s own playing.

We lost Mack earlier this year in April, he had stoppped playing in the early 2000’s – but as with all great music legends, his influence remains.

Equally as influential was Mack on the Southern Rock of bands like Lynrd Skynrd and the Allman’s in the 70’s and 80’s – in his playing you can hear a passionate mix of major penatonic as well as straight ahead blues scales so it is no wonder that Mack influenced the likes of Dicky Betts and Gary Rossington

Take a look at one of the finder performances Lonnie has of Stop…notice how he ramps up the energy in this song through both his playing and under-appreciated singing

Indeed Stevie Ray Vuaghan and Lonnie had a special relationship as Stevie idolized Lonnie as he did so many other great blues legends that came before him…here is Stevie Ray and Lonnie performing WHAM – great stuff!!

Filed under blues guitar, Blues Legends by on . Comment#

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I really like these “behind the scenes” views into the recording process musicians use on their songs.

This video shares such a view (albeit still officially produced) into the recording studio during a recording of the song “Stop” from Joe Bonamassa’s 2010 CD “John Henry”.

Notice a few things:

  1. How several overdubs of vocals and guitar solo is done
  2. How Joe switches guitars on the solo – starting with a very clean “Lucille” model Gibson into a much dirtier Les Paul for the latter half of the solo
  3. How Bonomassa even switches from sitting to standing on different parts of the vocal (honestly I don’t know how anyone can record sitting down)

Anything else you notice of note in the video?